An Obsessive Pursuit

An Obsessive Pursuit: An exhibition of works by North Shore Studio Potters brought back so many good memories of the days when I was a member of the Pottery Co-operative Pots of Ponsonby and also spent time teaching teenagers on the Steps Programme at Auckland Studio Potters. 

I was familiar with the work of all of these potters at that time. Several of them exhibited at Pots of Ponsonby and Peter Collis was for a time a member. The quality of their work makes these pieces timeless.

To see their work brought together at NorthArt was a special experience.  

North Shore Ceramics
10 April – 3 May

The North Shore’s impressive ceramic tradition is highlighted in a fascinating survey exhibition that explores the local studio pottery movement from its beginnings in early 1950s, through the enormously productive 1970s – during which potters could barely keep up with the popular demand for domestic ware – to the present day as ceramics enjoys a resurgence.

Original pieces by Barry Brickell and Ian Firth, founding members of the North Shore Potters Society, the first of its kind when it was formed in 1951, feature alongside works by other prominent potters through the periods such as Graeme Storm, Merilyn Wiseman, Peter Collis, Peter Shearer and Campbell Hegan.
  

Poppies : Symbols of Peace for Anzac Day

 

 

It was lovely to see children becoming so involved in creating Poppies this morning. This hands on art activity is such a good way for them to create a symbol of Peace for Anzac day and to teach them to remember and honour those who served and their families.


Lake House Arts ( in Fred Thomas Drive, Takapuna) and the Peace Poppy Project are collaborating on a large 5000+ poppy display for ANZAC day 2017. They are having a free poppy making activity in the gallery during the school holidays and kids can either keep their poppy or add it to our massive outdoor display which will be unveiled on Anzac Day, 25 April.

Take Time to Play!

Rebecca Owen''s Merit Award winning quilt in the Auckland Quilt Guild's Exhibition at the Lakehouse Arts Centre. An artful reminder for all of us that play is not just for kids "It is an opportunity to practice, experiment and learn."

An Enchanted Kauri Forest at the Lakehouse

Emma Petterson's Enchanted Forest Series is hanging in the Lakehouse Arts Centre Cafe from 5 April-14 May. Their soft golden glow against mysterious dark backgrounds is enchanting.

Her inspiration for this series of small paintings was "the primordial forest that once covered all of Aotearoa New Zealand before human settlement. "

" I have tried to capture the mystery and magic of a land untouched by human hand" she writes. " It's hard to imagine that where I live in suburban Te Atatu Peninsula was once covered in Kauri and Rewarewa trees.

Her choice of palette and composition was inspired by the oriental art of laquerware.

" My granddad brought back from Japan, a black laquered jewelry box, inlaid with mother of pearl. I used this as a starting point to research laquer and gilding techniques."

 Come in to view them and if you look closely you may recognise herons, weka, eels, fish, ducks, dragonflies and various plant life that existed in the ancient "Enchanted Forest".
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What is my Culture? Three Paintings by Justine D'Anvers.

After painter Justine's children had been asked to consider their Mihi and Culture at school she started to ask herself the question:  "As a post-colonial born and bred Northland woman: What is my Culture.?" 

She went on to explore this theme in three paintings which are currently being exhibited in an exhibition of NZ Outsider Art  at Lakehouse Arts Centre called "Women's Voices."

A high proportion of Maori live in Northland, her home, and this has influenced her perception of who she is and where she fits in her community.

In each of her paintings the tiki appears. In Maori mythology the tiki symbolises the first man on earth. A carved greenstone (pounamu) hei-tiki necklace was  also worn as a fertility symbol by women . These days it is worn as a taonga  and it has also been adopted as an iconic image by all New Zealanders.

In her first painting a Ngapuhi chieftainess, Ina ( Ena) Te Papatahi appears as a shadowy figure .Her spirit infuses the painting . This is a copy of a Goldie portrait but in that painting the old kuia was sitting on the steps of a whare whakairo (a carved meeting house)

Here she is framed instead by a mat woven from harakake (flax) .This is women's art ( while the art of carving was the domain of men) so this is her story

On her face a moko has been carved but she has chosen to wear European clothing linking both cultures. 

Her expression is both tired and pensive, She has experienced many changes.In her lifetime in spite of the Treaty wars were waged and a great deal of Maori land was unfairly taken .

But in the foreground, looking brighter and more animated is a greenstone tiki which promises new life . 

In her second  painting a tiki, with button eyes, is at the centre of a quilt. His body merges into the patchwork squares which fill the picture plane.

This painting was inspired by memories of childhood. Justine's mother loves fabric and was a quilt maker.

But it could also be read as a way of showing that although we have many different histories we are  connected through our common humanity.

In the third painting a young girl is ready to presents her mihi. The tiki is part of her world but the cloths in the background speak of her European ancestry.

Traditionally in Maori culture you would introduce yourself by saying something about your tribal affiliation, your land, mountain and water and something about your genealogy.

We are left wondering, how does she see her culture and what will she say?

Justine D'Anvers and her Mother at the 'Meet the Artist' at the Lake House Arts Centre 

It is well worth seeing this exhibition of Women's Voices - NZ Outsider Art Fair 2016  at the Lake House Arts Centre in Fred Thomas Drive Takapuna from Wednesday 2 November 2016 - Sunday 27 November 2. Drop in for a coffee as well at our cafe!

Echoes of Gondwana-The memories beneath our feet at the Lakehouse

Susannah Macdonald's 'Echoes of Gondwana -The memories beneath my feet has just opened at the Lakehouse Arts centre in Takapuna and is well worth a visit.

I was at the opening and really enjoyed meeting Susannah and viewing her artworks.

She has long been fascinated with the theory of Gondwana and the seismic and geological forces which split the continent and separated us from Australia.

She is also  fascinated by  the knowledge that New Zealand was once part of the sunken continent of Zealandia, and has been endeavouring to capture the essence of these movements in this series of paintings,

Susannah has  been drawing on the idea that human memory of these forces at work , may give rise to mythology. Conversely she asks, does the consciousness reflected in mythology bring about these changes.

This exhibition: Echoes of Gondwana - The memories beneath our feet: by Susannah MacDonald will be on in the Lakehouse Arts Centre from Wednesday August 3-Sunday August 28

                                                                     

Auckland Festival of Photography: The Struggle for Women's Rights.

As part of the Festival of Photography there is a stunning thought provoking exhibition of photographs by Sharifa Karimi in the Becroft Gallery in the Lakehouse Arts Centre in Takapuna called 'Hasti ? Are you there. Hastam. I am here."

Sharifa Karimi aims to create a discussion around the circumstances of women who are struggling for basic rights because of the traditionalism of their culture. Her work manifests the core of this issue. “I consider my process both analytical and intuitive. Analytical, because I examine the women’s rights issues in Asian countries and intuitive because I use my own knowledge and experience to draw upon."

Karimi explores gender equality in the roles of men and women in several different countries. Most importantly she highlights the extent and intensity of the cruelty many women go through on a daily basis. “It makes me extremely sad that these women live their whole lives as victims and the cycle continues with the next generation”

From her standpoint, although she has physically left her childhood home, the memories of the culture, the environment, and the people she was surrounded by have become part of her identity. Because of her circumstances she has been able to see the treatment of women from both a Middle Eastern and a Western point of view. 

This project is personally important to Karimi because she came from a part of the world where domestic abuse has become a norm. “Photography helps me make this reality known to people in Westernized cultures. I hope that, through my art I can give a voice to women and girls around the world who are being married as children or trafficked into forced labour and sex slavery.” 

In the countries that Karimi has included in her project such as Afghanistan, Saudi Arabia, Iran, Pakistan, women have had no significant role in society. Although in some of these countries women are being given more rights and freedom with the progression of time, the issue of women’s rights is nowhere near to being resolved.

Part of the Auckland Festival of Photography

The exhibition runs from Wednesday June 2016-Sunday 26 June 2016.

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